French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..  Related Paintings of Pierre Renoir :. | Terrace in Cagnes | The Test Garden in Algiers | jean Drawing | Dance in the City | Leontine and Coco |
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Arturo Michelena
16 June 1863 - 29 July 1898) was a Venezuelan painter born in Valencia, Carabobo State. He began to paint at a young age under his father's tutelage. Traveled to Paris where he studied in the famous Academie Julian. He was the first Venezuelan artist to succeed overseas and, with Cristebal Rojas (1857-1890) and Marten Tovar y Tovar (1827-1902), one of the most important Venezuelan painters of the 19th century. His first great success occurred in Paris at Le Salon des Artistes Français in 1887. Encouraged by his teacher Jean-Paul Laurens (1838-1921), Michelena presented a canvas titled L'Enfant Malade (The sick boy) which was awarded the Gold Medal, second class, the highest honor a foreign artist could receive at the salon. The painting was quickly considered a masterpiece and was acquired by the Astors in New York in the late 19th century. Later the painting traveled to South Florida when it was acquired by Owens Burns, a business partner of John Ringling, the circus magnate. After Burns' death the painting was stored in the Ringling Museum's vaults where it remained away from public view for more than 60 years. In 2004 Sotheby's rescued the canvas and arranged for it to be included in an auction of Latin American art.
Arvid Johanson
(born 3 February 1929) was a Norwegian newspaper editor and politician for the Labour Party. He served five full terms in the Parliament of Norway, was Norway's second Minister of Petroleum and Energy, and outside of politics he spent most of his career in the newspaper Halden Arbeiderblad. He was born in Halden as a son of Arvid Martin Johanson (1896 - 1981) and housewife Karla Niemi (1899 - 1932). He started his career as a journalist in Halden Arbeiderblad in 1947, and remained there for a year. In 1949 he worked in Sarpsborg Arbeiderblad. He returned to Halden Arbeiderblad, and remained there for the rest of his career. He underwent studies at the Norwegian Journalist Academy from 1942 to 1953 and at Fircroft College from 1954 to 1955. He was a board member of the county chapter of the Norwegian Press Association from 1954 to 1955.
Maria Fortuny i Marsal
painted Marocco, mercato e case in 1869